Almost Beachfront Digital Lab

Below: "Escape Hatch 2012" Almost Beachfront Digital Lab Residency, Southampton Writer's Conference, Southampton, NY  Mixed Media  14" x 12" x 6". Collection, Southampton Writer's Conference

Pink

"Making Her Bed" wood, paint, mixed media

"Hope's Chest" wood, mixed media

"Brush and Comb" 1 x 5 x 10 ", wood and paint

"Candi Box" exterior; Paper, wood, paint

"Candi Box" Interior

Patriotic Patriarchy

"Patriotic Patriarchy: Stolen Red Dress" silk, paper, paint, wood

"Patriotic Patriarchy: Stolen Red Dress" silk, paper, paint, wood

Flotsam Ephemera Detritus 2009

"2009 Homney & Freeze Pop" 10 x10" Found Paper, Paint, Glitter, Belt Buckle, etc.

Flotsam Ephemera Detritus 2008

"2008 City Limits w. Butterfly" 14.5 x 11.5" paint, paper, found paper, glitter, pom pom, butterfly, plastic air bubble. 1998-08

 "2008 Post Mortem" 60 x 48" paint, paper, found paper, found objects, ribbon. 2000-08

Flotsam Ephemera Detritus 2007

"2007 Red" acrylic paint, found paper, plastic objects, sequins, feather. 14.5 x 11.5 "

"2007 Libsiss", acrylic paint, found paper, sequins, feather. 14.5 x 11.5 "

"2007 Golden Boy", acrylic paint, found paper, sequins, feather, etc. 14.5 x 11.5 "

1994 Transition to the Personal Narrative

"Ship's Fool" was a transitional piece, using found wood again as a sculptural element, but the figure "blooming" on the vertical injects a metaphoric relationship. Like "Vase de Terre", the figurative female reference resonates with me.

This low relief box was a way to work out the figure/structure relationship in miniature. This piece is "Intimate/Intimidate" 1994, Chiri paper, copper paint, acrylic polymer. 

"Crying Over Spilt Milk" 1994. Metal, wood, found wood, paint. This piece happened after a court order mandated that my daughter spend considerable time with her father and stepmother. It is the beginning of a chapter of a more literal personal narrative in my work.

"Embrace" 1994, Paper and paperboard.

Intuitive Architecture, 1992 "Vase de Terre"

"Vase de Terre" Installation for Earth Day, 1992, Castle Inn, Delaware Water Gap, PA. It was the first time I could use materials found on site. I excavated the elongated "prolate spheroid" from the loose earth on the site, and found the upright stakes on site, drilling holes and lacing the red paint saturated cotton cord through.