Showing posts with label metaphor. Show all posts
Showing posts with label metaphor. Show all posts

Sunday, March 27, 2011

2004 Hearts, Hands and Homes of Bangor

            This stained glass mosaic was designed with Bangor Middle School Eighth graders in 2004 as an exploration and synthesis of their community's heritage and values. Known as the "Slate Belt" we incorporated "slate roofs" over the yellow doorways of the "houses". The students chose to make the "roofs" slightly curved, like the points of the arrowheads used by the Woodland Era Munsee Lenape tribe, that inhabited the region in pre colonial times. At the center is a daffodil, a symbol of life, longevity and hope to the Welsh early settlers, whose livelihood was in the slate mines. A symbol of Christianity  eternal life, and sustenance, two fish, signifying the purifying aspects of the Delaware River nearby, and the creek that runs through town, surround the daffodil.
Pictured above are the "Hands" and "Hearts" of Bangor. The adage "Many hands make light work" was true of this mosaic. I worked with the eighth graders to develop the themes, choose the imagery, and work them into a symmetric, mandala like design. The cutting and assembly of the glass was expertly done by "Expressions in Glass" on Johnsonville Road in Bangor, PA

                                 The five petals of this daffodil remind me of the head, hands and legs of the human figure, with the red center like a  heart, a central touchstone for the entire piece.

Tuesday, March 8, 2011

Pink

"Making Her Bed" wood, paint, mixed media
"Hope's Chest" wood, mixed media
"Brush and Comb" 1 x 5 x 10 ", wood and paint



"Candi Box" exterior; Paper, wood, paint


"Candi Box" Interior




Patriotic Patriarchy

"Patriotic Patriarchy: Stolen Red Dress" silk, paper, paint, wood


"Patriotic Patriarchy: Stolen Red Dress" silk, paper, paint, wood

Sunday, February 27, 2011

Monday, February 14, 2011

1994 Transition to the Personal Narrative


"Ship's Fool" was a transitional piece, using found wood again as a sculptural element, but the figure "blooming" on the vertical injects a metaphoric relationship. Like "Vase de Terre", the figurative female reference resonates with me.
This low relief box was a way to work out the figure/structure relationship in miniature. This piece is "Intimate/Intimidate" 1994, Chiri paper, copper paint, acrylic polymer. 

"Crying Over Spilt Milk" 1994. Metal, wood, found wood, paint. This piece happened after a court order mandated that my daughter spend considerable time with her father and stepmother. It is the beginning of a chapter of a more literal personal narrative in my work.


"Embrace" 1994, Paper and paperboard.

Split Maple Sapling Sculpture, 1992

These pieces were made by splitting green lengths of maple sapling, then gradually stretching them apart to create linear structures of a variety of configurations. I was fascinated by both the cast shadows and the spaces they defined.

This is "Paradoxical Symmetry" 1992

Above: "Beckoning" 1992

Intuitive Architecture, 1992 "Vase de Terre"

"Vase de Terre" Installation for Earth Day, 1992, Castle Inn, Delaware Water Gap, PA. It was the first time I could use materials found on site. I excavated the elongated "prolate spheroid" from the loose earth on the site, and found the upright stakes on site, drilling holes and lacing the red paint saturated cotton cord through.